Exhibitionary

7 October 2017

Pre-Image (Blind as the Mother Tongue), 2017

Film, 18 min.

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, digital video, color, sound, courtesy the artist and KOW, Berlin

When Hiwa K embarked on the journey from his native Sulaymaniyah in Kurdistan-Northern Iraq to become a refugee in Turkey, Greece, and Italy, packed in his bag were only some of his abstract paintings. He revisits part of this journey in this video. While his body was transiting borders, his identity was fragmented into the many roles projected onto him by the gazes of others. These are symbolically represented by the small mirrors that branch out of the antenna he balances on his nose. His image is shattered and merges with the landscape. The anecdotes, memories, and other stories he recalls are what kept his spirit alive and steadily rooted while his life was exposed to death.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Exhibitionary

8 March, 19.00–7 March, 22.00 2024

Yallah Sabaya

Community Portal Hosts… Yallah Sabaya Join us on 8 March 2024 at BAK, Yallah Sabaya is happening again! “Come on ladies, let’s have fun together,” would be a good translation of yallah sabaya. All women of different cultural backgrounds are welcome to dance, chat, and connect with others also through movement and celebration. 8 March 2024, […]

Reading Group

Exhibition

07 March–02 June 2024

Usufructuaries of earth
Chapter one: exhibition

The exhibition foregrounds the artist’s collaborative approach to bringing together ecological, feminist, and decolonial knowledges and practices that put forward ideologies of usufruct, unhinging property-relations from the idiom of individuated possession and toward forms of common userships between humans and other-than-humans.

Convention