Propositions #1: What We Mean

Luigi Coppola, Popolazione Evolutiva (Evolutionary Population), Castiglione d'Otranto, Italy, 2016. Photo: F. Quarta Colosso

Schiphol airport cleaners prepare their banners and placards during the cleaners’ strike January 2014. Photo: Matthijs de Bruijne

Photo: Tom Janssen

Wendelien van Oldenborgh, Cinema Olanda, 2017, production still, photo: Daria Scagliola

Otobong Nkanga, Preliminary Recipe for a Support System, digital drawing, collage and acrylic on paper, 2016–2017

Marinella Senatore, Protest Forms: Memory and Celebration (Accoustic Version), 2016–ongoing, performance during Propositions #1: What We Mean on 7 October 2017. Photo: Tom Janssen

Kader Attia, Reflecting Memory, 2016, single-channel HD digital video projection, colour, sound. Photo: Kader Attia, courtesy of the artist, Galleria Continua, Galerie Krinzinger, Lehmann Maupin, and Galerie Nagel Draxler.

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, digital video, color, sound, courtesy the artist and KOW, Berlin

Amy Balkin, PUBLIC SMOG IS NO SUBSTITUTE FOR DIRECT ACTION, billboard, Bonamoussadi, Douala, Cameroon, 2009. (Photo: Benoît Mangin, courtesy of the artist)

Tania Bruguera. Awareness Ribbon for Immigrant Respect Campaign, 2011. Awareness campaign. Metal pin, photograph: Camilo Godoy. Courtesy of Immigrant Movement International

Yael Bartana, What If Women Ruled the World, 2016, neon, 150.7 x 58.8 cm, Courtesy Annet Gelink Gallery, Amsterdam

Angela Dimitrakaki and Antonia Majaca in collaboration with Sanja Iveković, Art Of The Possible: Towards An Antifascist Feminist Front, 2017. Photo: Tom Janssen

Ahmet Ogüt during Propositions #1: What We Mean on 7 October 2017, photo: Tom Janssen

Danilo Correale, Reverie: On the Liberation from Work, 2017, audio record, each side 21:20 min., installation view

Koki Tanaka, Provisional Studies: Workshop #7 How to live together, and sharing the unknown, 2017, action, workshop, and video documentation

View of tent settlement in Çınar camp, Diyarbakir, 2016, photo: Pelin Tan

Film Poster of Lizzie Borden's Born in Flames, 1983, reprinted in The Independent: Film and Video Monthly, November 1983

Ola Hassanain, Back and Forth: Gender Politics and Khartoum, Dialogue 1, 2016, video still. Courtesy the artist

Karrabing Film Collective, Night Time Go, 2017

Karrabing Film Collective, Wutharr: Saltwater Dreams, 2015, film still

Photo: Tom Janssen

Pedro Reyes, Manufacturing Mischiefs (Working Title), 2017, Propositions for Non-Fascist Living #1: What We Mean, BAK, basis voor actuele kunst, Utrecht, 7 October 2017, photo: Tom Janssen