Exhibition

10 March–27 May 2007

The Day After Yesterday

Roman Ondák, Lucky Day, 2006, photograph from the film set

In the exhibition The Day after Yesterday Roman Ondák shows three new works, which register performative moments he instigated in order to negotiate another kind of a future through “non-events”—subtle detours from the everyday. The Day After Yesterday, 2005, is a diptych that consists of newspaper cut-out and a photograph. The photograph shows a re-enactment of a “scene” coincidentally photographed for the newspaper, in which Ondák’s family walks through a dilapidated neighborhood under rapid renovation. In order to seek ways in which “reality” could be perfected, Ondák invites his family to re-stage this situation, although this time they are walking in the opposite direction, toward the viewer. The video The Stray Man, 2006, documents a man walking past a building. The ordinariness of the situation notwithstanding, the man cannot resist the attraction of the building’s street level windows. Despite his attempts to continue along the street, the potential promise of other possibilities prompt him to return daily to engage in this ritual of searching for the unknown time and time again. Lucky Day, 2006, is a 16 mm film installation in which Ondák explores the contemporary possibilities of “pilgrimage” in a secular context. The film follows a man who tosses a large amount of coins into a fountain, in a somewhat grandiose gesture of “applying” for luck. As such, the work puts individual agency to the test against institutionalized systems of belief. In all three works, the adventure of discovery, and of gaining knowledge into how things are, function as a starting point for engaging the viewer in a dialogue about what might happen if one takes another route, both literally and metaphorically. It is from here, Ondák suggests, that a new space of imagination can emerge.

BAK, basis voor actuele kunst is proud to have had the opportunity to produce the film installation Lucky Day. In this exhibition Roman Ondák shows three new works, which register performative moments he instigated in order to negotiate another kind of a future through “non-events”—subtle detours from the everyday.

Publications

book
Roman Ondák

newsletter
Roman Ondák: The Day After Yesterday

exhibition text
The Day After Yesterday

Program

lecture
19.04.2007 20.00 hrs
Roman Ondák: The Day After Yesterday

Suggestions from the archive

Exhibitionary

8 March, 19.00–7 March, 22.00 2024

Yallah Sabaya

Community Portal Hosts… Yallah Sabaya Join us on 8 March 2024 at BAK, Yallah Sabaya is happening again! “Come on ladies, let’s have fun together,” would be a good translation of yallah sabaya. All women of different cultural backgrounds are welcome to dance, chat, and connect with others also through movement and celebration. 8 March 2024, […]

Reading Group

Exhibition

07 March–02 June 2024

Usufructuaries of earth
Chapter one: exhibition

The exhibition foregrounds the artist’s collaborative approach to bringing together ecological, feminist, and decolonial knowledges and practices that put forward ideologies of usufruct, unhinging property-relations from the idiom of individuated possession and toward forms of common userships between humans and other-than-humans.

Convention