Learning

12 April, 12.00–14 April, 18.00 2023

 

Czar Kristoff: Be(com)ing A Monument, 2023

Czar activates his learning object, To Destroy Is To Build (2019-2023), with an ongoing inquiry after monuments that bend to the passage of time. Monuments are generally constructed to commemorate a significant event or person. Their presence is also used to navigate a city, a town, a place. Urban monuments reflect how our ancestors used trees, mountains, and rivers as landmarks to remember their way. What would happen if monuments suddenly moved? How do you think we would identify locations or arrive to destinations? How could we become navigators without monuments? In this training, we will explore how/why/when monuments are built, maintained, polished, celebrated, forgotten, demolished, and redefined through a series of mapping exercises and interventions, excursions around the neighborhood, banderitas making, and cafeteria karaoke. 

Thursday–Saturday

06–08 April 2023

12:00–18:00 hrs

Hospitality

Collective vegan lunch from 12:00–13:00 hrs. Meal included in the enrollment fee. The abundance and variety of the menu depends on the luck of the b.ASIC a.CTIVIST k.ITCHEN’s dumpster dive.

Trainer’s Note

Participants should bring their smartphones with data, a picture of their favorite place as a child/at the moment, a picture of themselves as a child (for teenagers and adults).

Notes

Registration to all days is preferred, but not required, via bakonline.org.

Capacity: 20 participants

Suggestions from the archive

Exhibitionary

8 March, 19.00–7 March, 22.00 2024

Yallah Sabaya

Community Portal Hosts… Yallah Sabaya Join us on 8 March 2024 at BAK, Yallah Sabaya is happening again! “Come on ladies, let’s have fun together,” would be a good translation of yallah sabaya. All women of different cultural backgrounds are welcome to dance, chat, and connect with others also through movement and celebration. 8 March 2024, […]

Reading Group

Exhibition

07 March–02 June 2024

Usufructuaries of earth
Chapter one: exhibition

The exhibition foregrounds the artist’s collaborative approach to bringing together ecological, feminist, and decolonial knowledges and practices that put forward ideologies of usufruct, unhinging property-relations from the idiom of individuated possession and toward forms of common userships between humans and other-than-humans.

Convention