{"id":45943,"date":"2023-09-14T13:56:37","date_gmt":"2023-09-14T11:56:37","guid":{"rendered":"https:\/\/archive2.bakonline.org\/person\/enis-kostepen-and-irmak-karasu\/"},"modified":"2023-11-06T15:48:53","modified_gmt":"2023-11-06T14:48:53","slug":"enis-kostepen-and-irmak-karasu","status":"publish","type":"person","link":"https:\/\/archive2.bakonline.org\/nl\/person\/enis-kostepen-and-irmak-karasu\/","title":{"rendered":"Enis K\u00f6stepen and Irmak Karasu"},"content":{"rendered":"\n<p><b><span data-contrast=\"none\">Enis K\u00f6stepen <\/span><\/b><span data-contrast=\"none\">and<\/span><b><span data-contrast=\"none\"> Irmak Karasu <\/span><\/b><span data-contrast=\"none\">are filmmakers interested in how political thinking implicates forms of cultural practices. K\u00f6stepen and Karasu have been conversing on the powers of personal and public mourning for a long while.\u00a0<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Enis K\u00f6stepen\u2019s<\/span><\/b><span data-contrast=\"none\"> practice includes film criticism, production, research, and activism in anti-war, urban rights, and freedom of expression. In his practice he has been interested in the powers of creative collectives and politics of film culture.<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">K\u00f6stepen\u2019s filmography as producer include: <\/span><i><span data-contrast=\"none\">Yellow Letters<\/span><\/i><span data-contrast=\"none\"> (dir. \u0130lker \u00c7atak, in development); <\/span><i><span data-contrast=\"none\">Hold Still<\/span><\/i><span data-contrast=\"none\"> (dir. Berke Ba\u015f, in post-production); <\/span><i><span data-contrast=\"none\">Frenzy<\/span><\/i><span data-contrast=\"none\"> (dir. Emin Alper, Venice International Film Festival, 2015); and <\/span><i><span data-contrast=\"none\">Beyond the Hill<\/span><\/i><span data-contrast=\"none\"> (dir. Emin Alper, Berlin International Film Festival, 2012).\u00a0<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Selected publications include: \u201c<\/span><a href=\"https:\/\/www.dejusticia.org\/en\/publication\/reimagining-the-future-of-human-rights\/\" target=\"_blank\" rel=\"noopener\"><span data-contrast=\"none\">Bakur: Chronicles of Unrealized Futures,<\/span><\/a><span data-contrast=\"none\">\u201d in <\/span><i><span data-contrast=\"none\">Reimagining the Future of Human Rights: Social Justice, Environmental Justice, and Democracy in the Global South<\/span><\/i><span data-contrast=\"none\">, ed. Jessica Corredor-Villamil (Bogot\u00e1: Dejusticia, 2022); \u201cOn Y\u0131l\u0131n Ard\u0131ndan Emek Sinemas\u0131 M\u00fccadelesi,\u201d <\/span><i><span data-contrast=\"none\">Beyond.istanbul<\/span><\/i><span data-contrast=\"none\"> 9 (Beyo\u011flu: Mekanda Adalet Derne\u011fi, 2020);<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u201c<\/span><a href=\"https:\/\/www.dejusticia.org\/en\/publication\/reimagining-the-future-of-human-rights\/\" target=\"_blank\" rel=\"noopener\"><span data-contrast=\"none\">A Story of Impunity: The Temiz\u00f6z Trial in Turkey,<\/span><\/a><span data-contrast=\"none\">\u201d in <\/span><i><span data-contrast=\"none\">Justice through Transitions: Conflict, Peacemaking and Human Rights in the Global South<\/span><\/i><span data-contrast=\"none\">, C\u00e9sar Rodr\u00edguez Garavito and Meghan L. Morris, eds. (Bogot\u00e1: Dejusticia, 2018).<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Irmak Karasu\u2019s <\/span><\/b><span data-contrast=\"none\">work as an artist and a filmmaker is informed by her attention to the forms of affect. In her practice she focuses on personal histories within the landscapes of oppression and violence.\u00a0<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Karasu\u2019s filmography as director include: <\/span><i><span data-contrast=\"none\">K\u0131z\u0131ltoprak<\/span><\/i><span data-contrast=\"none\"> (in development); <\/span><i><span data-contrast=\"none\">The Couch Is Purring<\/span><\/i><span data-contrast=\"none\"> (co- directed with Julia Sharpe, in production); <\/span><i><span data-contrast=\"none\">Mamaville<\/span><\/i><span data-contrast=\"none\"> (Short Film Festival Oberhausen, Oberhausen, 2020); <\/span><i><span data-contrast=\"none\">Edifice<\/span><\/i><span data-contrast=\"none\"> (\u0130stanbul Film Festival, 2015).<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Selected exhibitions include: <\/span><i><span data-contrast=\"none\">Core Program Exhibition<\/span><\/i><span data-contrast=\"none\">, Museum of Fine Arts Houston, Houston, 2020; School of the Art Institute of Chicago\u2019s Booth, EXPO CHICAGO 2019, Chicago, 2019; <\/span><i><span data-contrast=\"none\">On Site Impromptus<\/span><\/i><span data-contrast=\"none\">, Ming Contemporary Art Museum, Jing&#8217;An, 2017; and <\/span><i><span data-contrast=\"none\">Tahteravalli<\/span><\/i><span data-contrast=\"none\"> (performance, directed with Nihat Karatasli), Santralistanbul Contemporary Art Museum, \u0130stanbul, 2012.<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">For BAK Fellowship for Situated Practice, they will explore the ways in which commoning around grief could lead to the alignment of disparate political struggles that try to deal with their losses on their own. For such an inquiry they will collect instances of grief expressed in various forms of media. The instances that they are after are moments of affect that sparkle unexpectedly. These are momentary bursts that take place where a particular tension between public space and the personal experience of loss releases itself. They believe that these utterances that hold a capacity to affect, and that are not audible in everyday nor in regular politics, are potent to convey the tense traffic between the personal and the public.<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Enis and Irmak live and work in \u0130stanbul, and are part of the BAK Cell, \u0130stanbul, in the Fellowship for Situated Practice.<\/span><span data-ccp-props=\"{&quot;134245417&quot;:true,&quot;134245418&quot;:false,&quot;134245529&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:276,&quot;335559991&quot;:0}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enis K\u00f6stepen and Irmak Karasu are filmmakers interested in how political thinking implicates forms of cultural practices. K\u00f6stepen and Karasu have been conversing on the powers of personal and public mourning for a long while.\u00a0\u00a0 Enis K\u00f6stepen\u2019s practice includes film criticism, production, research, and activism in anti-war, urban rights, and freedom of expression. In his [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":45652,"template":"","meta":{"_acf_changed":false,"footnotes":""},"fellowship":[289],"class_list":["post-45943","person","type-person","status-publish","has-post-thumbnail","hentry","fellowship-2023-2024-nl"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/person\/45943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/types\/person"}],"author":[{"embeddable":true,"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/users\/22"}],"version-history":[{"count":2,"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/person\/45943\/revisions"}],"predecessor-version":[{"id":46450,"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/person\/45943\/revisions\/46450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/media\/45652"}],"wp:attachment":[{"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/media?parent=45943"}],"wp:term":[{"taxonomy":"fellowship","embeddable":true,"href":"https:\/\/archive2.bakonline.org\/nl\/wp-json\/wp\/v2\/fellowship?post=45943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}