BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too? a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.
BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021). Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]
BAK 2017/2018 Fellows Isshaq Al-Barbary and Ola Hassanain, as well as 2018/2019 Fellows Jeanne van Heeswijk and Charl Landvreugd join Urban Front (with Distinguished Professor David Harvey, Associate Professor Miguel Robles-Durán, artist Jeanne Van Heeswijk, curator and writer Laura Raicovich, activist and politician Gala Pin, urban sociologist Laia Forne) and guests Charli Herrington and Carina […]
BAK 2018/2019 Fellow Lukáš Likavčan’s publication Introduction to Comparative Planetology (2019, Strelka Press) is the culmination of long term research, including his research as a BAK Fellow. The book-essay, according to Likavčan, “presents an intertwined analysis of visual cultures of imagining the Earth and geopolitics of climate emergency. It compares different “figures” of the planet […]
BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist […]
On 22 December 2019, Trainings for the Not-Yet (14 September 2019–12 January 2020), the exhibition as a series of trainings co-convened by artist and BAK 2018/2019 Fellow Jeanne Van Heeswijk and BAK, ends with a communal meal, cooked by the Bakudapan Food Study Group! with the Basic Activist Kitchen. The communal meal, convened around sharing food […]
BAK 2019/2020 Fellow Mijke van der Drift presents her research The Logic of Loss in Bonding in the talk “Realisitcally Impossible: The Magic of Social Change” at the virtual conference Love Spells & Rituals for Another World. As Love Spells explains: Engaging with queer, feminist and decolonial approaches and drawing on developments in cultural studies […]
BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Deserting from the Culture Wars, the second reader in BAK’s BASICS series, edited by Maria Hlavajova and Sven Lütticken. Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of […]
Inhabiting is an outcome of the collaboration between Al Maeishah (Isshaq Al-Babrbary, Elena Isayev, and Diego Segatto) and the Office of Displaced Designers (ODD), who invited Al Maeishah to implement their research on The Alternative Atlas of Lesvos: An Island for the World. The atlas aims to intersect with those forcibly displaced, with the global web […]
BAK 2019/2020 Fellow Diana McCarty works with Goethe-Institut and her project reboot.fm, both Berlin, to co-create a multi-day long experimental radio program Latitude On Air – Unsettling Power Relations (2020), and exploring ideas of locality, being together, and social justice and legacies of colonialism. As part of the program, co-Fellow David Muñoz Alcántara is commissioned […]
BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, the first reader in BAK’s BASICS series. Print this page BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, edited by Maria […]
BAK 2017/2018 Fellows Isshaq Al-Barbary and Matthijs de Bruijne, as well as 2018/2019 Fellow Jeanne van Heeswijk and 2019/2020 Fellow Mitchell Esajas presented and engaged in training and discussion as part of BAK’s program Propositions #9: Instituting Otherwise on 7 December 2019 at BAK, probing the question of how to institute spaces for art in […]
The BAK 2019/2020 Fellows gathered at BAK in Utrecht for their first of seven Fellows Intensives together. Throughout the week, the Fellows presented their work, motivations, and research; learned about BAK, Utrecht, and each other; ate meals together; planned activities; found unlikely and motivating places of connection; imagined possibilities; shared references, pieces, and publications; met […]
BAK has published the first publication in a series on our research trajectory Propositions for Non-Fascist Living (2017–ongoing), Propositions for Non-Fascist Living: Tentative and Urgent (MIT Press, 2019). Moving from critique to propositions, the project attempts to articulate and inhabit methods of de-individualized living and to practice ways in which multiplicity and difference establish relations […]
As part of a session convened and moderated by 2017/2018 BAK Fellow Ola Hassanain, Yara Sharif gave a seminar (via Skype), discussing, in particular her text “Cultivating spatial possibilities in Palestine: searching for sub/urban bridges in Beit Iksa, Jerusalem” (by Nasser Golzari and Yara Sharif); and more generally unpacking alternative means to re-read and redraw […]
The BAK 2019/2020 Fellows gathered in Utrecht for the second time in November. Along with mapping ideas and sharing research, they joining programming and trainings for BAK’s Propositions #9: Deserting from the Culture Wars, co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of BAK’s long-term […]
BAK 2019/2020 Fellow Reem Shilleh collaborates with artist and researcher Samah Hijawi and Radio Al Hara as a part of Kunstenfestivaldesarts, Brussels. They center diaspora, homeland, and other topics in radio and in person conversations.
Due to the many effects of the pandemic, the Fellowship Program has shifted significantly. With fatigue, urgencies, the traps of digitalization, travel restrictions, expanding global inequalities, calls for actions, the massive changes generally and looming dangers, the Fellowship Program cannot continue in the form it once was. In addition to meeting online and searching for […]
Deadline: 4 June 2023, 24:00 hrs CEST Public announcement of selected Fellows: 15 July 2023 Fellowship term: 11 October 2023-19 June 2024 Applications to the BAK cell are closed You can apply to the ÇAP cell in Istanbul by filling out the downloadable form here and forwarding it to zeyno.pekunlu@iksv.org. BAK, basis voor actuele kunst, Utrecht […]
BAK 2019/2020 Fellow Oleksiy Radynski curates a War and Cinema, an art film program on e-flux that explores differing uses of moving image media and war.
Dr. Sruti Bala leads a discussion on decolonizing Theater and Performance Studies and the use of the anecdote during the Fellows Workshop on 21 November 2018.
Fellows Mitchell Esajas, Grant Watson, and Reem Shilleh, along with BAK, were preparing to co-convene a Fellows Intensive beginning 23 March, 2020. With lockdowns starting in Europe just a week before, the plans became impossible in their imagined forms and the Fellows were unable to gather at BAK, visit The Black Archives in Amsterdam, do […]
Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]
Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements. […]
BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too? a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.
BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]
As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]
The exhibition Vereniging Ons Suriname: 100 years of Emancipation and Struggle (2019–2020), celebrating Vereniging Ons Suriname’s 100th anniversary, at The Black Archives, Amsterdam is co-curated by BAK 2018-2019 Fellow Jessica de Abreu, 2019/2020 Fellow Mitchell Esajas along with colleagues at The Black Archives. It showcases the often hidden histories of Surinamese activism and anti-racist work in the Netherlands. The exhibition features research conducted during the Fellowship as well as art works by 2018/2019 co-Fellow Patricia Kaersenhout, depicting revolutionary women of color, including de Abreu.
TRAININGS FOR THE NOT-YET (14 September 2019–12 January 2020) was an exhibition as a series of trainings for a future of being together otherwise, convened with a multitude of collaborators by BAK fellow Jeanne van Heeswijk and BAK, basis voor actuele kunst, Utrecht.
On Friday 8 November, BAK 2018/2019 Fellow Jeanne van Heeswijk and Utrecht-based experimental music festival Le Guess Who connect visual artist, activist, womanist, and fellow Fellow Patricia Kaersenhout with Chicago-based pianist, clarinetist, and composer Angel Bat Dawid for an event as part of Trainings for the Not-Yet (14 September 2019–12 January 2020). Both women tap […]
From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]
In June 2019, the post-academic BAK 2018/2019 Fellowship comes to a close. After ten months of intensive thinking, imagining, enacting, practicing, troubling, discussing, laughing, sometimes even crying, the Fellows continue on their work in differing forms. Throughout our time together, the Fellows and their research have influenced and transformed each other’s as well as BAK. […]
On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]
Met trots maakt BAK, basis voor actuele kunst, Utrecht de 2021/2022 Fellows binnen het postacademische BAK Fellowship for Situated Practice-programma bekend. Het programma speelt zich af in een constellatie van verspreide maar toch onderling verbonden onderzoekscellen, die van een afstand samenwerken vanuit Istanboel, Jakarta, Utrecht en online. De Istanboel-cel wordt gehost door het Istanbul Biennial […]
BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.” Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]
A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.
BAK 2017/2018 Fellow Isshaq Al-Barbary and 2019/2020 Fellow Joy Mariama Smith are among the contributors to BAK’s Public Studies Program How to Assemble Now, taking place In August and September 2020. Read more about the program here.
BAK 2017/2018 Fellow Sepake Angiama co-curates the 2019 Chicago Architecture Biennial …And Other Such Stories. As part of the program, Fellow 2017/2018 BAK Fellows Ola Hassanain’s work was part of the exhibition. From the curators’ statement: “Titled …and other such stories, the 2019 Chicago Architecture Biennial is rooted in close readings of the spatial realities of its […]
As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]
“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama
As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor. […]
