Met trots maakt BAK, basis voor actuele kunst, Utrecht de 2021/2022 Fellows binnen het postacademische BAK Fellowship for Situated Practice-programma bekend. Het programma speelt zich af in een constellatie van verspreide maar toch onderling verbonden onderzoekscellen, die van een afstand samenwerken vanuit Istanboel, Jakarta, Utrecht en online. De Istanboel-cel wordt gehost door het Istanbul Biennial […]

BAK 2017/2018 Fellow Isshaq Al-Barbary and 2019/2020 Fellow Joy Mariama Smith are among the contributors to BAK’s Public Studies Program How to Assemble Now, taking place In August and September 2020.   Read more about the program here.

BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too?  a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

As part of a session convened and moderated by 2017/2018 BAK Fellow Ola Hassanain, Yara Sharif gave a seminar (via Skype), discussing, in particular her text  “Cultivating spatial possibilities in Palestine: searching for sub/urban bridges in Beit Iksa, Jerusalem” (by Nasser Golzari and Yara Sharif); and more generally unpacking alternative means to re-read and redraw […]

BAK 2020 Fellow Shay Raviv represents De Voorkamer at DoorVanVoor Excursion # 3: On the road in Utrecht!, Stedelijk Museum Schiedam, 25 September 2020. De Voorkamer is an inclusive meeting space in which the talents of status holders, people living in asylum seekers’ centers, and other local communities are encouraged, and a space that BAK […]

BAK 2019/2020 Fellow Reem Shilleh brings 2018/2019 Fellow Yasmine Eid-Sabbagh to speak with the Fellows on their shared experiences archiving. As Shilleh writes: Based on our respective experiences with collecting, archiving — on Palestine and in Burj al-Shamali camp in Lebanon — and refusing to doing both, our conversations around editing led us to questions […]

BAK 2018/2019 Fellow Charl Landvreugd creates a large-scale, solo installation exhibition Movt. Nr. 10: Ososma at CBK Zuidoost, Amsterdam (25/10–13/12/2019). The exhibition is a self-portrait and a critical reflection on cultural hybridity, integral to Landvreugd’s work, research, and current times.

Elena Isayev is a historian and professor at University of Exeter uses the ancient Mediterranean to explore migration, belonging, displacement and spatial perception. Her research is based on the intersection of Hospitality and Asylum, Potency of Displaced Agency, Common and Public Space. Her interdisciplinary and inter-practice approach has led to collective learning and research beyond the […]

As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]

BAK 2017/2018 Fellow Ola Hassanain was awarded a 2019/2020 Paulo Cunha e Silva Art Prize, and has work in the Sharjah Architecture Triennial Rights of Future Generations (2019–2020) and Chicago Architecture Biennial …And Other Such Stories (2019–2020) curated by Fellow BAK 2017/2018 Fellow Sepake Angiama. Congratulations to Ola on the opportunities!

A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.  

BAK 2017/2018 Fellows Charl Landvreugd and Jeanne van Heeswijk present at e-flux journal’s “Art After Culture: Exile” on Saturday 29 January 2019, Witte de With, Rotterdam, the first iteration of e-flux’s conference series Art After Culture?. From the conference descrption: In this climate, artists and art practitioners are suddenly faced with a politics that goes […]

On Wednesday 12 February 2020, BAK 2019/2020 Fellows Mijke van der drift and Joy Mariama Smith, along with BAK, co-convene a participatory panel. Along with artist Ahmed El Gendy and poet and activist Nat Raha, they rehearse in public experimental and collective practices that they are trying out in their research. The participatory panel aims to […]

BAK 2017/2018 Fellows Isshaq Al-Barbary and Matthijs de Bruijne, as well as 2018/2019 Fellow Jeanne van Heeswijk and 2019/2020 Fellow Mitchell Esajas presented and engaged in training and discussion as part of BAK’s program Propositions #9: Instituting Otherwise on 7 December 2019 at BAK, probing the question of how to institute spaces for art in […]

BAK 2018/2019 Fellow Yasmine Eid-Sabbagh and community activist Hamada al-Joumah convene the sixteenth training as part of the Trainings for the Not-Yet, An Investigation into Collective Work Processes for Self-Determination, from 27 November to 1 December 2019. The training focuses on discussions, collective readings, presentations, and exercises for developing a resource box for collective working and […]

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

BAK 2019/2020 Fellow Joy Mariama Smith and BAK 2017/2018 BAK Fellow Quinsy Gario join Framer Framed for A Conversation on: The Power of Doing Nothing (2020), a radio program discussing productivity, refusal, and the racialized inequalities of rest. 

The exhibition Vereniging Ons Suriname: 100 years of Emancipation and Struggle (2019–2020), celebrating Vereniging Ons Suriname’s 100th anniversary, at The Black Archives, Amsterdam is co-curated by BAK 2018-2019 Fellow Jessica de Abreu, 2019/2020 Fellow Mitchell Esajas along with colleagues at The Black Archives. It showcases the often hidden histories of Surinamese activism and anti-racist work in the Netherlands. The exhibition features research conducted during the Fellowship as well as art works by 2018/2019 co-Fellow Patricia Kaersenhout, depicting revolutionary women of color, including de Abreu.

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

Inhabiting is an outcome of the collaboration between Al Maeishah (Isshaq Al-Babrbary, Elena Isayev, and Diego Segatto) and the Office of Displaced Designers (ODD), who invited Al Maeishah to implement their research on The Alternative Atlas of Lesvos: An Island for the World. The atlas aims to intersect with those forcibly displaced, with the global web […]

  On Friday 8 November, BAK 2018/2019 Fellow Jeanne van Heeswijk and Utrecht-based experimental music festival Le Guess Who connect visual artist, activist, womanist, and fellow Fellow Patricia Kaersenhout with Chicago-based pianist, clarinetist, and composer Angel Bat Dawid for an event as part of Trainings for the Not-Yet (14 September 2019–12 January 2020). Both women tap […]

“In 2017, The Economist famously claimed that “data is the new oil.” At the time, Wendy Chun’s response to this statement was: “Big data is the new COAL. The result: global social change. Intensely energized and unstable clouds.”12 Still, both coal and oil are likely to decline as energy sources. Another question worth asking, then, is: what […]

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.”  Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]

Several generations of Fellows are involved in this year’s MaHKU, Utrecht, graduation show If Not Now, taking place at BAK from 30 September–11 October 2020. One BAK 2020 Fellowship position has been awarded to the Mutual Support Platform (MSP), a space for conversations and actions by/between/for students, alumni, and teachers of the MAFA HKU, Utrecht. […]

BAK 2018/2019 Fellow Lukáš Likavčan’s publication  Introduction to Comparative Planetology (2019, Strelka Press) is the culmination of long term research, including his research as a BAK Fellow. The book-essay, according to  Likavčan, “presents an intertwined analysis of visual cultures of imagining the Earth and geopolitics of climate emergency. It compares different “figures” of the planet […]

Boven: BAK 2019/2020 Fellows Mijke van der Drift en Joy Mariama Smith leiden een semi-publiek programma als onderdeel van hun onderzoek, 12 february 2020, BAK, basis voor actuele kunst, Utrecht, foto: Tom Janssen BAK, basis voor actuele kunst, Utrecht presenteert met trots de BAK 2020 Fellows, vijftien uitzonderlijke praktijkbeoefenaars werkzaam op het gebied van kunst, […]

BAK 2019/2020 Fellow Joy Mariama Smith leads a training as part of Trainings for the Not-Yet (14 September 2019–12 January 2020), an exhibition as a series of trainings, in October 2019 at BAK. The training addresses collective reading and writing, conversations, somatics, movement research, karaoke, and more, culminating in a dance party and public intervention. […]

BAK 2018/2019 Fellows Haseeb Ahmed and Lukáš Likavčan co-convene, along with BAK, the April Fellows Intensive focusing on modelling, timelining, scale, and the social and political aspects that shape and inform these. Along with presentations, screenings, and experiments in pedagogy and workshops curated and conducted by these Fellows, machine learning researcher and designer Ramon Amaro […]

In April 2016, BAK, basis voor actuele kunst, brought to life the Here We Are Academy: a spirited temporary recomposition of a refugee-initiated platform for learning called We Are Here Academy. Established in Amsterdam in 2012, We Are Here is the first large-scale organization of refugees living in limbo in the Netherlands. Through projects organized […]

As part of the BAK Fellowship Program, BAK Fellows do workshops, curate screenings, and have discussions with MA students of the Utrecht Graduate School of Visual Art and Design HKU, Utrecht, one of BAK’s main collaborators and partners. Fellows co-convene a session on their research and critically engage with the students in their own practices […]

BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, the first reader in BAK’s BASICS series.      Print this page BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, edited by Maria […]

BAK’s postacademische programma Fellowship for Situated Practice staat nu open voor aanmeldingen van in Nederland gevestigde beoefenaars die werken op het snijvlak van kunst, theorie en sociale actie. De deadline voor aanmeldingen is 9 mei 2021, 24.00 uur CEST. Het postacademische Fellowship-programma van BAK bestaat sinds 2017. In het programma staat het onderzoek naar, en de herformulering […]

BAK 2019/2020 Fellow Oleksiy Radynski curates a War and Cinema, an art film program on e-flux that explores differing uses of moving image media and war.

BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist […]

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Kaersenhout performs The Emotional Body (2018) for the Fellows, as well as guests from HKU University of the Arts, […]

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Activist and artist Naomie Pieter leads the Fellows in a workshop on the use of the body as a […]

Due to the many effects of the pandemic, the Fellowship Program has shifted significantly. With fatigue, urgencies, the traps of digitalization, travel restrictions, expanding global inequalities, calls for actions, the massive changes generally and looming dangers, the Fellowship Program cannot continue in the form it once was. In addition to meeting online and searching for […]

BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021).  Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]