TRAININGS FOR THE NOT-YET (14 September 2019–12 January 2020)  was an exhibition as a series of trainings for a future of being together otherwise, convened with a multitude of collaborators by BAK fellow Jeanne van Heeswijk and BAK, basis voor actuele kunst, Utrecht.

Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements.  […]

BAK 2017/2018 Fellow Ola Hassanain was awarded a 2019/2020 Paulo Cunha e Silva Art Prize, and has work in the Sharjah Architecture Triennial Rights of Future Generations (2019–2020) and Chicago Architecture Biennial …And Other Such Stories (2019–2020) curated by Fellow BAK 2017/2018 Fellow Sepake Angiama. Congratulations to Ola on the opportunities!

BAK 2017/2018 Fellow Isshaq Al-Barbary and 2019/2020 Fellow Joy Mariama Smith are among the contributors to BAK’s Public Studies Program How to Assemble Now, taking place In August and September 2020.   Read more about the program here.

On 22 December 2019,  Trainings for the Not-Yet (14 September 2019–12 January 2020), the exhibition as a series of trainings co-convened by artist and BAK 2018/2019 Fellow Jeanne Van Heeswijk and BAK, ends with a communal meal, cooked by the Bakudapan Food Study Group! with the Basic Activist Kitchen.  The communal meal, convened around sharing food […]

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Kaersenhout performs The Emotional Body (2018) for the Fellows, as well as guests from HKU University of the Arts, […]

BAK 2019/2020 Fellow Joy Mariama Smith leads a training as part of Trainings for the Not-Yet (14 September 2019–12 January 2020), an exhibition as a series of trainings, in October 2019 at BAK. The training addresses collective reading and writing, conversations, somatics, movement research, karaoke, and more, culminating in a dance party and public intervention. […]

BAK 2019/2020 Fellow Diana McCarty works with Goethe-Institut and her project reboot.fm, both Berlin, to co-create a multi-day long experimental radio program Latitude On Air – Unsettling Power Relations (2020), and exploring ideas of locality, being together, and social justice and legacies of colonialism. As part of the program, co-Fellow David Muñoz Alcántara is commissioned […]

In September the Netherlands-based stream of the BAK 2020 Fellows gather at BAK, with social distance, to begin their work together. Through mapping exercises, establishing collective protocols (or something close to it), spending time with the BAK team, and sharing well-ventilated space, a sense of what is to come in the Fellowship has emerged. This […]

BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist […]

As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

The first strand of the BAK 2020 Fellows meet in a hybrid on/offline second Intensive. The Fellows work on timelines that explore political and personal histories, ways of working together, imaginings and practices for shared leadership, collaboration, and developing strategies and tactics for building lasting, genuine relations with BAK as a public institution and a […]

BAK 2017/2018 Fellows Isshaq Al-Barbary and Matthijs de Bruijne, as well as 2018/2019 Fellow Jeanne van Heeswijk and 2019/2020 Fellow Mitchell Esajas presented and engaged in training and discussion as part of BAK’s program Propositions #9: Instituting Otherwise on 7 December 2019 at BAK, probing the question of how to institute spaces for art in […]

Patricia Kaersenhout has a solo show, Objects of Love and Desire, at Wilfried Lentz Gallery, Rotterdam from 6 February–24 March 2019. Objects of Love and Desire shows Kaersenhout’s newest banner works showing black women scholars, journalists, poets, and activists of Caribbean decent in action as heroic figures, in the style of historic Chinese propaganda posters. […]

The BAK 2018/2019 Fellows meet for their final Intensive in June. The week begins with BAK 2018/2019 Fellow Charl Landvreugd bringing Professor Helianthe Kort presenting and discussing her research on healthy built environments. The rest of the week, the Fellows build their own environment along with the BAK team, getting ready for the culminating public […]

BAK 2018/2019 Fellows Thiago de Paula Souza and Mick Wilson, along with BAK, co-convene the April 2019 Fellows Intensive focusing on conceptions of violence. Along with screenings, presentations, and discussions curated and conducted by these Fellows, artists, writer, and performer Jota Mombaça joins the Fellows to lead them through collective reading exercises, collaborative writing processes, […]

BAK 2017/2018 Fellow Sepake Angiama co-curates the 2019 Chicago Architecture Biennial …And Other Such Stories.  As part of the program, Fellow 2017/2018 BAK Fellows Ola Hassanain’s work was part of the exhibition. From the curators’ statement: “Titled …and other such stories, the 2019 Chicago Architecture Biennial is rooted in close readings of the spatial realities of its […]

BAK 2018/2019 Fellow Yasmine Eid-Sabbagh and community activist Hamada al-Joumah convene the sixteenth training as part of the Trainings for the Not-Yet, An Investigation into Collective Work Processes for Self-Determination, from 27 November to 1 December 2019. The training focuses on discussions, collective readings, presentations, and exercises for developing a resource box for collective working and […]

BAK, basis voor actuele kunst, Utrecht is proud to announce the Post-Academic BAK 2020 Fellows. Exploring the possibilities of art as a public good and a site of public pedagogies, the 2020 Fellowship experiments with and develops formats, practices, collaborative processes, social imagination, theory, and anticipatory learning methods so as to shape the program in the forthcoming funding period 2021–2024 with BAK.

Emerging from her research trajectory, BAK 2019/2020 Fellow Katia Krupennikova convenes a series of online sessions and independent screenings for the Fellows Intensive. Joined by Jungian Analyst Faranak Mirjalili, and artists Omar Mismar and Imogen Stidworthy, the Fellows discussed Jungian concepts of the Shadow and Personal Unconsciousness, forms of voicing and communicating across difference, and […]

During  the Venice Biennale of Architecture 2018, The Swamp School will function as a changing, flexible, open-ended infrastructure that supports experiments in design, pedagogy and artistic intelligence. Invited designers and scholars, including BAK Fellow 2017/2018 Pelin Tan, will conduct performative lectures and lead workshops for participants and visitors to the Biennale. On Saturday 26 May 2018, Pelin […]

BAK 2018/2019 Fellow Lukáš Likavčan presents his new book Introduction to Comparative Planetology (2019, read an excerpt at Strelka Press here) at Sonic Acts Festival, Amsterdam, 2020. Research and writing for the book was done during Likavčan’s Fellowship.  Listen to his Sonic Acts podcast here and watch his presentation here.

BAK has published the first publication in a series on our research trajectory Propositions for Non-Fascist Living (2017–ongoing), Propositions for Non-Fascist Living: Tentative and Urgent (MIT Press, 2019). Moving from critique to propositions, the project attempts to articulate and inhabit methods of de-individualized living and to practice ways in which multiplicity and difference establish relations […]

As part of Propositions #2: Assemblism, Quinsy Gario presents his new book Roet in het Eten [Spanner in the Works],an anthology of newspaper columns, opinion articles, blog posts on among other things anti-racism, white supremacy and Dutch media landscape written between 2011–2017 and published mainly on the eponymous online platform Roet in het Eten.  

In February, the BAK 2019/2020 Fellows come together for another Fellows Intensive. This week experiments with various communication practices being researched by Joy Mariama Smith and Mijke van der Drift, the BAK Fellows who co-convene this intensive along with BAK, and Curator of the BAK 2019/2020 Fellowship Program Whitney Stark and focuses on  consent, and […]

As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]

BAK 2019/2020 Fellow Reem Shilleh collaborates with artist and researcher Samah Hijawi and Radio Al Hara as a part of Kunstenfestivaldesarts, Brussels. They center diaspora, homeland, and other topics in radio and in person conversations.

In April 2016, BAK, basis voor actuele kunst, brought to life the Here We Are Academy: a spirited temporary recomposition of a refugee-initiated platform for learning called We Are Here Academy. Established in Amsterdam in 2012, We Are Here is the first large-scale organization of refugees living in limbo in the Netherlands. Through projects organized […]

In June 2019, the post-academic BAK 2018/2019 Fellowship comes to a close. After ten months of intensive thinking, imagining, enacting, practicing, troubling, discussing, laughing, sometimes even crying, the Fellows continue on their work in differing forms. Throughout our time together, the Fellows and their research have influenced and transformed each other’s as well as BAK. […]

BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.”  Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]

BAK, basis voor actuele kunst, Utrecht is proud to announce its BAK 2019/2020 Fellows, ten outstanding practitioners in the arts, theory, and social action from the Netherlands and abroad. These fellows have been selected for their advanced artistic and other expressive practices, interdisciplinary excellence, critical insight, and collaborative strategies from approximately 200 applicants. The BAK […]

Due to the many effects of the pandemic, the Fellowship Program has shifted significantly. With fatigue, urgencies, the traps of digitalization, travel restrictions, expanding global inequalities, calls for actions, the massive changes generally and looming dangers, the Fellowship Program cannot continue in the form it once was. In addition to meeting online and searching for […]

BAK Fellow Otobong Nkanga was honored with the Special Mention Award, for her work May you live in interesting times, 58th International Art Exhibition – La Biennale di Venezia, Venice, 2019.

BAK 2019/2020 Fellow Reem Shilleh brings 2018/2019 Fellow Yasmine Eid-Sabbagh to speak with the Fellows on their shared experiences archiving. As Shilleh writes: Based on our respective experiences with collecting, archiving — on Palestine and in Burj al-Shamali camp in Lebanon — and refusing to doing both, our conversations around editing led us to questions […]

BAK 2018/2019 Fellow Lukáš Likavčan’s publication  Introduction to Comparative Planetology (2019, Strelka Press) is the culmination of long term research, including his research as a BAK Fellow. The book-essay, according to  Likavčan, “presents an intertwined analysis of visual cultures of imagining the Earth and geopolitics of climate emergency. It compares different “figures” of the planet […]

The BAK 2019/2020 Fellows gathered in Utrecht for the second time in November. Along with mapping ideas and sharing research, they joining programming and trainings for BAK’s Propositions #9: Deserting from the Culture Wars, co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of BAK’s long-term […]

A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]