Wendelien van Oldenborgh visited Japan in late 2017 to participate in “MOT Satellite 2017 Fall – Connecting Scapes,” organized at various locations by the Museum of Contemporary Art Tokyo. Her work was exhibited at the Arts and Science Lab at Tokyo University of the Arts Ueno Campus, where she also held a screening and talk […]

The first strand of the BAK 2020 Fellows meet in a hybrid on/offline second Intensive. The Fellows work on timelines that explore political and personal histories, ways of working together, imaginings and practices for shared leadership, collaboration, and developing strategies and tactics for building lasting, genuine relations with BAK as a public institution and a […]

A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Kaersenhout performs The Emotional Body (2018) for the Fellows, as well as guests from HKU University of the Arts, […]

As part of a session convened and moderated by 2017/2018 BAK Fellow Ola Hassanain, Yara Sharif gave a seminar (via Skype), discussing, in particular her text  “Cultivating spatial possibilities in Palestine: searching for sub/urban bridges in Beit Iksa, Jerusalem” (by Nasser Golzari and Yara Sharif); and more generally unpacking alternative means to re-read and redraw […]

BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist […]

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]

BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021).  Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]

Due to the many effects of the pandemic, the Fellowship Program has shifted significantly. With fatigue, urgencies, the traps of digitalization, travel restrictions, expanding global inequalities, calls for actions, the massive changes generally and looming dangers, the Fellowship Program cannot continue in the form it once was. In addition to meeting online and searching for […]

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

BAK 2017/2018 Fellow Isshaq Al-Barbary and 2019/2020 Fellow Joy Mariama Smith are among the contributors to BAK’s Public Studies Program How to Assemble Now, taking place In August and September 2020.   Read more about the program here.

Elizabeth A. Povinelli gives a seminar on the four axioms of critical theory during the first Fellowship 2017/2018 gathering on 6 October 2017.

Several generations of Fellows are involved in this year’s MaHKU, Utrecht, graduation show If Not Now, taking place at BAK from 30 September–11 October 2020. One BAK 2020 Fellowship position has been awarded to the Mutual Support Platform (MSP), a space for conversations and actions by/between/for students, alumni, and teachers of the MAFA HKU, Utrecht. […]

BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.”  Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]

BAK 2020 Fellow Shay Raviv represents De Voorkamer at DoorVanVoor Excursion # 3: On the road in Utrecht!, Stedelijk Museum Schiedam, 25 September 2020. De Voorkamer is an inclusive meeting space in which the talents of status holders, people living in asylum seekers’ centers, and other local communities are encouraged, and a space that BAK […]

BAK, basis voor actuele kunst, Utrecht is proud to announce its BAK 2019/2020 Fellows, ten outstanding practitioners in the arts, theory, and social action from the Netherlands and abroad. These fellows have been selected for their advanced artistic and other expressive practices, interdisciplinary excellence, critical insight, and collaborative strategies from approximately 200 applicants. The BAK […]

In December 2019 the BAK 2019/2020 Fellows gather for their third Fellows Intensive, co-convened by Fellows Oleksiy Radynski, David Muñoz Alcántara, and Diana McCarty along with BAK. Synthesizing and pushing their own and each other’s individual research trajectories, in December the Fellows visit local institutions like IMPAKT, Casco Art Institute, and Universiteitsmuseum; create and participate […]

The BAK 2018/2019 Fellows meet for their final Intensive in June. The week begins with BAK 2018/2019 Fellow Charl Landvreugd bringing Professor Helianthe Kort presenting and discussing her research on healthy built environments. The rest of the week, the Fellows build their own environment along with the BAK team, getting ready for the culminating public […]

“In 2017, The Economist famously claimed that “data is the new oil.” At the time, Wendy Chun’s response to this statement was: “Big data is the new COAL. The result: global social change. Intensely energized and unstable clouds.”12 Still, both coal and oil are likely to decline as energy sources. Another question worth asking, then, is: what […]

BAK 2018/2019 Fellows Thiago de Paula Souza and Mick Wilson, along with BAK, co-convene the April 2019 Fellows Intensive focusing on conceptions of violence. Along with screenings, presentations, and discussions curated and conducted by these Fellows, artists, writer, and performer Jota Mombaça joins the Fellows to lead them through collective reading exercises, collaborative writing processes, […]

From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]

The exhibition Vereniging Ons Suriname: 100 years of Emancipation and Struggle (2019–2020), celebrating Vereniging Ons Suriname‘s 100th anniversary, at The Black Archives, Amsterdam is co-curated by BAK 2018-2019 Fellow Jessica de Abreu, 2019/2020 Fellow Mitchell Esajas along with colleagues at The Black Archives. It showcases the often hidden histories of Surinamese activism and anti-racist work in the Netherlands. The exhibition features research conducted during the Fellowship as well as art works by 2018/2019 co-Fellow Patricia Kaersenhout, depicting revolutionary women of color, including de Abreu.

BAK 2018/2019 Fellows Haseeb Ahmed and Lukáš Likavčan co-convene, along with BAK, the April Fellows Intensive focusing on modelling, timelining, scale, and the social and political aspects that shape and inform these. Along with presentations, screenings, and experiments in pedagogy and workshops curated and conducted by these Fellows, machine learning researcher and designer Ramon Amaro […]

BAK 2018/2019 Fellow Lukáš Likavčan presents his new book Introduction to Comparative Planetology (2019, read an excerpt at Strelka Press here) at Sonic Acts Festival, Amsterdam, 2020. Research and writing for the book was done during Likavčan’s Fellowship.  Listen to his Sonic Acts podcast here and watch his presentation here.

BAK 2019/2020 Fellow Mijke van der Drift presents her research The Logic of Loss in Bonding in the talk “Realisitcally Impossible: The Magic of Social Change” at the virtual conference Love Spells & Rituals for Another World. As Love Spells explains:  Engaging with queer, feminist and decolonial approaches and drawing on developments in cultural studies […]

Elena Isayev is a historian and professor at University of Exeter uses the ancient Mediterranean to explore migration, belonging, displacement and spatial perception. Her research is based on the intersection of Hospitality and Asylum, Potency of Displaced Agency, Common and Public Space. Her interdisciplinary and inter-practice approach has led to collective learning and research beyond the […]

In April 2016, BAK, basis voor actuele kunst, brought to life the Here We Are Academy: a spirited temporary recomposition of a refugee-initiated platform for learning called We Are Here Academy. Established in Amsterdam in 2012, We Are Here is the first large-scale organization of refugees living in limbo in the Netherlands. Through projects organized […]

BAK 2019/2020 Fellow Oleksiy Radynski curates a War and Cinema, an art film program on e-flux that explores differing uses of moving image media and war.

Patricia Kaersenhout has a solo show, Objects of Love and Desire, at Wilfried Lentz Gallery, Rotterdam from 6 February–24 March 2019. Objects of Love and Desire shows Kaersenhout’s newest banner works showing black women scholars, journalists, poets, and activists of Caribbean decent in action as heroic figures, in the style of historic Chinese propaganda posters. […]

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK and Curator of the BAK 2018/2019 Fellowship Program Whitney Stark, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Geographer and theorist Arun Saldanha joins the Fellows to […]

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

BAK 2019/2020 Fellow Oleksiy Radynski’s film Landslide (2016) premieres online 26 August 2020 as part of the screening series From Matter to Data: Ecology of Infrastructures, 29 July–9 September 2020, Museum of Modern Art, New York. This series presents a selection of 15 films and video works available in three part. Radynski’s film is part of […]

As part of the BAK Fellowship Program, BAK Fellows do workshops, curate screenings, and have discussions with MA students of the Utrecht Graduate School of Visual Art and Design HKU, Utrecht, one of BAK’s main collaborators and partners. Fellows co-convene a session on their research and critically engage with the students in their own practices […]

On Wednesday 12 February 2020, BAK 2019/2020 Fellows Mijke van der drift and Joy Mariama Smith, along with BAK, co-convene a participatory panel. Along with artist Ahmed El Gendy and poet and activist Nat Raha, they rehearse in public experimental and collective practices that they are trying out in their research. The participatory panel aims to […]

BAK 2019/2020 Fellow Diana McCarty works with Goethe-Institut and her project reboot.fm, both Berlin, to co-create a multi-day long experimental radio program Latitude On Air – Unsettling Power Relations (2020), and exploring ideas of locality, being together, and social justice and legacies of colonialism. As part of the program, co-Fellow David Muñoz Alcántara is commissioned […]

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

In June 2019, the post-academic BAK 2018/2019 Fellowship comes to a close. After ten months of intensive thinking, imagining, enacting, practicing, troubling, discussing, laughing, sometimes even crying, the Fellows continue on their work in differing forms. Throughout our time together, the Fellows and their research have influenced and transformed each other’s as well as BAK. […]

During  the Venice Biennale of Architecture 2018, The Swamp School will function as a changing, flexible, open-ended infrastructure that supports experiments in design, pedagogy and artistic intelligence. Invited designers and scholars, including BAK Fellow 2017/2018 Pelin Tan, will conduct performative lectures and lead workshops for participants and visitors to the Biennale. On Saturday 26 May 2018, Pelin […]

Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements.  […]