Excerpt from the article: On a summer’s day in 2011 a large group of workers gathered at the entrance of the headquarters of the Federation of the Dutch Trade Unions (FNV) in Amsterdam. The workers, all FNV members, were there to show their dissatisfaction with the negotiations for a new general pension agreement. It had […]

BAK 2018/2019 Fellows Haseeb Ahmed and Lukáš Likavčan co-convene, along with BAK, the April Fellows Intensive focusing on modelling, timelining, scale, and the social and political aspects that shape and inform these. Along with presentations, screenings, and experiments in pedagogy and workshops curated and conducted by these Fellows, machine learning researcher and designer Ramon Amaro […]

In June 2019, the post-academic BAK 2018/2019 Fellowship comes to a close. After ten months of intensive thinking, imagining, enacting, practicing, troubling, discussing, laughing, sometimes even crying, the Fellows continue on their work in differing forms. Throughout our time together, the Fellows and their research have influenced and transformed each other’s as well as BAK. […]

Political scientist, historian, and feminist Françoise Vergès joins the discussion via Skype on how artistic research can contribute to decolonial methodologies. With introduction by Olivier Bouin (director of the Network of French Institutes for Advanced Studies) and 2017/2018 BAK Fellow Pelin Tan.

BAK 2019/2020 Fellow Oleksiy Radynski’s film Landslide (2016) premieres online 26 August 2020 as part of the screening series From Matter to Data: Ecology of Infrastructures, 29 July–9 September 2020, Museum of Modern Art, New York. This series presents a selection of 15 films and video works available in three part. Radynski’s film is part of […]

BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021).  Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]

“In 2017, The Economist famously claimed that “data is the new oil.” At the time, Wendy Chun’s response to this statement was: “Big data is the new COAL. The result: global social change. Intensely energized and unstable clouds.”12 Still, both coal and oil are likely to decline as energy sources. Another question worth asking, then, is: what […]

BAK 2019/2020 Fellow Reem Shilleh collaborates with artist and researcher Samah Hijawi and Radio Al Hara as a part of Kunstenfestivaldesarts, Brussels. They center diaspora, homeland, and other topics in radio and in person conversations.

BAK 2018/2019 Fellow Yasmine Eid-Sabbagh and community activist Hamada al-Joumah convene the sixteenth training as part of the Trainings for the Not-Yet, An Investigation into Collective Work Processes for Self-Determination, from 27 November to 1 December 2019. The training focuses on discussions, collective readings, presentations, and exercises for developing a resource box for collective working and […]

From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]

The BAK 2019/2020 Fellows gathered in Utrecht for the second time in November. Along with mapping ideas and sharing research, they joining programming and trainings for BAK’s Propositions #9: Deserting from the Culture Wars, co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of BAK’s long-term […]

On 22 December 2019,  Trainings for the Not-Yet (14 September 2019–12 January 2020), the exhibition as a series of trainings co-convened by artist and BAK 2018/2019 Fellow Jeanne Van Heeswijk and BAK, ends with a communal meal, cooked by the Bakudapan Food Study Group! with the Basic Activist Kitchen.  The communal meal, convened around sharing food […]

Elena Isayev is a historian and professor at University of Exeter uses the ancient Mediterranean to explore migration, belonging, displacement and spatial perception. Her research is based on the intersection of Hospitality and Asylum, Potency of Displaced Agency, Common and Public Space. Her interdisciplinary and inter-practice approach has led to collective learning and research beyond the […]

Fellow Urok Shirhan convenes a session with BAK, centering her research on audio forms,”collective listening, acoustic commons, and… what the shift from the eye to the ear could hold for us.” Over two days and a few digital sessions, Fellows heard talks about historic uses of radio, listened to sound pieces alone together, and experimented […]

BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Deserting from the Culture Wars, the second reader in BAK’s BASICS series, edited by Maria Hlavajova and Sven Lütticken. Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of […]

BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist […]

  On Friday 8 November, BAK 2018/2019 Fellow Jeanne van Heeswijk and Utrecht-based experimental music festival Le Guess Who connect visual artist, activist, womanist, and fellow Fellow Patricia Kaersenhout with Chicago-based pianist, clarinetist, and composer Angel Bat Dawid for an event as part of Trainings for the Not-Yet (14 September 2019–12 January 2020). Both women tap […]

Patricia Kaersenhout has a solo show, Objects of Love and Desire, at Wilfried Lentz Gallery, Rotterdam from 6 February–24 March 2019. Objects of Love and Desire shows Kaersenhout’s newest banner works showing black women scholars, journalists, poets, and activists of Caribbean decent in action as heroic figures, in the style of historic Chinese propaganda posters. […]

Emerging from her research trajectory, BAK 2019/2020 Fellow Katia Krupennikova convenes a series of online sessions and independent screenings for the Fellows Intensive. Joined by Jungian Analyst Faranak Mirjalili, and artists Omar Mismar and Imogen Stidworthy, the Fellows discussed Jungian concepts of the Shadow and Personal Unconsciousness, forms of voicing and communicating across difference, and […]

BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]

Inhabiting is an outcome of the collaboration between Al Maeishah (Isshaq Al-Babrbary, Elena Isayev, and Diego Segatto) and the Office of Displaced Designers (ODD), who invited Al Maeishah to implement their research on The Alternative Atlas of Lesvos: An Island for the World. The atlas aims to intersect with those forcibly displaced, with the global web […]

Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements.  […]

BAK 2018/2019 Fellows Thiago de Paula Souza and Mick Wilson, along with BAK, co-convene the April 2019 Fellows Intensive focusing on conceptions of violence. Along with screenings, presentations, and discussions curated and conducted by these Fellows, artists, writer, and performer Jota Mombaça joins the Fellows to lead them through collective reading exercises, collaborative writing processes, […]

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

BAK 2019/2020 Fellow Reem Shilleh brings 2018/2019 Fellow Yasmine Eid-Sabbagh to speak with the Fellows on their shared experiences archiving. As Shilleh writes: Based on our respective experiences with collecting, archiving — on Palestine and in Burj al-Shamali camp in Lebanon — and refusing to doing both, our conversations around editing led us to questions […]

BAK 2019/2020 Fellow Oleksiy Radynski curates a War and Cinema, an art film program on e-flux that explores differing uses of moving image media and war.

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

BAK 2017/2018 Fellow Isshaq Al-Barbary and 2019/2020 Fellow Joy Mariama Smith are among the contributors to BAK’s Public Studies Program How to Assemble Now, taking place In August and September 2020.   Read more about the program here.

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

Several generations of Fellows are involved in this year’s MaHKU, Utrecht, graduation show If Not Now, taking place at BAK from 30 September–11 October 2020. One BAK 2020 Fellowship position has been awarded to the Mutual Support Platform (MSP), a space for conversations and actions by/between/for students, alumni, and teachers of the MAFA HKU, Utrecht. […]

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]

BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, the first reader in BAK’s BASICS series.      Print this page BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, edited by Maria […]

BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too?  a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.

As part of the BAK Fellowship Program, BAK Fellows do workshops, curate screenings, and have discussions with MA students of the Utrecht Graduate School of Visual Art and Design HKU, Utrecht, one of BAK’s main collaborators and partners. Fellows co-convene a session on their research and critically engage with the students in their own practices […]

In April 2016, BAK, basis voor actuele kunst, brought to life the Here We Are Academy: a spirited temporary recomposition of a refugee-initiated platform for learning called We Are Here Academy. Established in Amsterdam in 2012, We Are Here is the first large-scale organization of refugees living in limbo in the Netherlands. Through projects organized […]

BAK 2018/2019 Fellows Yasmine Eid-Sabbagh and Jeanne van Heeswijk co-convened the March Fellows Intensive with critic, writer, and curator Ethel Baraona Pohl in Barcelona. The Intensive focused on, among other things, collective practices and facilitation, housing movements, artistic action, and neighborhood initiatives. The Fellows had the privilege of getting to speak in depth with members of La Borda, Calàbria 66, Can Batlló, La Ciutat Invisible, La Col, Coòpolis, De Veí a Veí, Espai en Blanc and Marina Garcés, Fil a l’agulla, La Lleialtat Santsenca, and La PAH.

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

Streaming online at bakonline.org/prospections and on social media: @BAKUtrecht on Facebook and @BAK basis voor actuele kunst on YouTube With Afrikaanderwijk Cooperative (including BAK 2018/2019 Fellow Jeanne van Heeswijk), Rotterdam; the Basic Activist Kitchen, Utrecht; Brigate Volontarie per l’emergenza, Milan; and Homebaked Anfield, Liverpool Coordinated communitarian responses to this crisis have abounded, with individuals and […]

On Wednesday 12 February 2020, BAK 2019/2020 Fellows Mijke van der drift and Joy Mariama Smith, along with BAK, co-convene a participatory panel. Along with artist Ahmed El Gendy and poet and activist Nat Raha, they rehearse in public experimental and collective practices that they are trying out in their research. The participatory panel aims to […]

BAK 2018/2019 Fellow Lukáš Likavčan’s publication  Introduction to Comparative Planetology (2019, Strelka Press) is the culmination of long term research, including his research as a BAK Fellow. The book-essay, according to  Likavčan, “presents an intertwined analysis of visual cultures of imagining the Earth and geopolitics of climate emergency. It compares different “figures” of the planet […]