Emerging from her research trajectory, BAK 2019/2020 Fellow Katia Krupennikova convenes a series of online sessions and independent screenings for the Fellows Intensive. Joined by Jungian Analyst Faranak Mirjalili, and artists Omar Mismar and Imogen Stidworthy, the Fellows discussed Jungian concepts of the Shadow and Personal Unconsciousness, forms of voicing and communicating across difference, and […]

BAK, basis voor actuele kunst, Utrecht is proud to announce its BAK 2019/2020 Fellows, ten outstanding practitioners in the arts, theory, and social action from the Netherlands and abroad. These fellows have been selected for their advanced artistic and other expressive practices, interdisciplinary excellence, critical insight, and collaborative strategies from approximately 200 applicants. The BAK […]

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.”  Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]

Wendelien van Oldenborgh visited Japan in late 2017 to participate in “MOT Satellite 2017 Fall – Connecting Scapes,” organized at various locations by the Museum of Contemporary Art Tokyo. Her work was exhibited at the Arts and Science Lab at Tokyo University of the Arts Ueno Campus, where she also held a screening and talk […]

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

  On Friday 8 November, BAK 2018/2019 Fellow Jeanne van Heeswijk and Utrecht-based experimental music festival Le Guess Who connect visual artist, activist, womanist, and fellow Fellow Patricia Kaersenhout with Chicago-based pianist, clarinetist, and composer Angel Bat Dawid for an event as part of Trainings for the Not-Yet (14 September 2019–12 January 2020). Both women tap […]

Inhabiting is an outcome of the collaboration between Al Maeishah (Isshaq Al-Babrbary, Elena Isayev, and Diego Segatto) and the Office of Displaced Designers (ODD), who invited Al Maeishah to implement their research on The Alternative Atlas of Lesvos: An Island for the World. The atlas aims to intersect with those forcibly displaced, with the global web […]

BAK 2018/2019 Fellow Charl Landvreugd creates a large-scale, solo installation exhibition Movt. Nr. 10: Ososma at CBK Zuidoost, Amsterdam (25/10–13/12/2019). The exhibition is a self-portrait and a critical reflection on cultural hybridity, integral to Landvreugd’s work, research, and current times.

Congratulations to BAK 2018/2019 Fellow Charl Landvreugd on his new position as Head of Research & Curatorial Practice at Stedelijk Museum, Amsterdam! We know that he will do important, critical, and motivating work.

The BAK 2018/2019 Fellows meet for their final Intensive in June. The week begins with BAK 2018/2019 Fellow Charl Landvreugd bringing Professor Helianthe Kort presenting and discussing her research on healthy built environments. The rest of the week, the Fellows build their own environment along with the BAK team, getting ready for the culminating public […]

BAK 2019/2020 Fellow Reem Shilleh brings 2018/2019 Fellow Yasmine Eid-Sabbagh to speak with the Fellows on their shared experiences archiving. As Shilleh writes: Based on our respective experiences with collecting, archiving — on Palestine and in Burj al-Shamali camp in Lebanon — and refusing to doing both, our conversations around editing led us to questions […]

During  the Venice Biennale of Architecture 2018, The Swamp School will function as a changing, flexible, open-ended infrastructure that supports experiments in design, pedagogy and artistic intelligence. Invited designers and scholars, including BAK Fellow 2017/2018 Pelin Tan, will conduct performative lectures and lead workshops for participants and visitors to the Biennale. On Saturday 26 May 2018, Pelin […]

BAK 2018/2019 Fellows Thiago de Paula Souza and Mick Wilson, along with BAK, co-convene the April 2019 Fellows Intensive focusing on conceptions of violence. Along with screenings, presentations, and discussions curated and conducted by these Fellows, artists, writer, and performer Jota Mombaça joins the Fellows to lead them through collective reading exercises, collaborative writing processes, […]

Several generations of Fellows are involved in this year’s MaHKU, Utrecht, graduation show If Not Now, taking place at BAK from 30 September–11 October 2020. One BAK 2020 Fellowship position has been awarded to the Mutual Support Platform (MSP), a space for conversations and actions by/between/for students, alumni, and teachers of the MAFA HKU, Utrecht. […]

BAK, basis voor actuele kunst, Utrecht is proud to announce the Post-Academic BAK 2020 Fellows. Exploring the possibilities of art as a public good and a site of public pedagogies, the 2020 Fellowship experiments with and develops formats, practices, collaborative processes, social imagination, theory, and anticipatory learning methods so as to shape the program in the forthcoming funding period 2021–2024 with BAK.

“In 2017, The Economist famously claimed that “data is the new oil.” At the time, Wendy Chun’s response to this statement was: “Big data is the new COAL. The result: global social change. Intensely energized and unstable clouds.”12 Still, both coal and oil are likely to decline as energy sources. Another question worth asking, then, is: what […]

BAK 2017/2018 Fellows Charl Landvreugd and Jeanne van Heeswijk present at e-flux journal‘s “Art After Culture: Exile” on Saturday 29 January 2019, Witte de With, Rotterdam, the first iteration of e-flux’s conference series Art After Culture?. From the conference descrption: In this climate, artists and art practitioners are suddenly faced with a politics that goes […]

BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Deserting from the Culture Wars, the second reader in BAK’s BASICS series, edited by Maria Hlavajova and Sven Lütticken. Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of […]

BAK 2017/2018 Fellows Isshaq Al-Barbary and Ola Hassanain, as well as 2018/2019 Fellows Jeanne van Heeswijk and Charl Landvreugd join Urban Front (with Distinguished Professor David Harvey, Associate Professor Miguel Robles-Durán, artist Jeanne Van Heeswijk, curator and writer Laura Raicovich, activist and politician Gala Pin, urban sociologist Laia Forne) and guests Charli Herrington and Carina […]

With the outbreak of civil war in Syria in 2011, agronomist and phyto-geneticist, Salvatore Ceccarelli was forced to end his 25-year research period in Syria where he had been working with local farmers experimenting with a revolutionary agricultural method that develops participatory plant breeding, a type of breeding done in collaboration with farmers to breed […]

A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.

BAK Fellow Otobong Nkanga was honored with the Special Mention Award, for her work May you live in interesting times, 58th International Art Exhibition – La Biennale di Venezia, Venice, 2019.

BAK 2020 Fellow Shay Raviv represents De Voorkamer at DoorVanVoor Excursion # 3: On the road in Utrecht!, Stedelijk Museum Schiedam, 25 September 2020. De Voorkamer is an inclusive meeting space in which the talents of status holders, people living in asylum seekers’ centers, and other local communities are encouraged, and a space that BAK […]

BAK 2018/2019 Fellows Yasmine Eid-Sabbagh and Jeanne van Heeswijk co-convened the March Fellows Intensive with critic, writer, and curator Ethel Baraona Pohl in Barcelona. The Intensive focused on, among other things, collective practices and facilitation, housing movements, artistic action, and neighborhood initiatives. The Fellows had the privilege of getting to speak in depth with members of La Borda, Calàbria 66, Can Batlló, La Ciutat Invisible, La Col, Coòpolis, De Veí a Veí, Espai en Blanc and Marina Garcés, Fil a l’agulla, La Lleialtat Santsenca, and La PAH.

BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too?  a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.

On 22 December 2019,  Trainings for the Not-Yet (14 September 2019–12 January 2020), the exhibition as a series of trainings co-convened by artist and BAK 2018/2019 Fellow Jeanne Van Heeswijk and BAK, ends with a communal meal, cooked by the Bakudapan Food Study Group! with the Basic Activist Kitchen.  The communal meal, convened around sharing food […]

In June 2019, the post-academic BAK 2018/2019 Fellowship comes to a close. After ten months of intensive thinking, imagining, enacting, practicing, troubling, discussing, laughing, sometimes even crying, the Fellows continue on their work in differing forms. Throughout our time together, the Fellows and their research have influenced and transformed each other’s as well as BAK. […]

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]

As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]

BAK has published the first publication in a series on our research trajectory Propositions for Non-Fascist Living (2017–ongoing), Propositions for Non-Fascist Living: Tentative and Urgent (MIT Press, 2019). Moving from critique to propositions, the project attempts to articulate and inhabit methods of de-individualized living and to practice ways in which multiplicity and difference establish relations […]

BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021).  Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

BAK 2019/2020 Fellow Oleksiy Radynski’s film Landslide (2016) premieres online 26 August 2020 as part of the screening series From Matter to Data: Ecology of Infrastructures, 29 July–9 September 2020, Museum of Modern Art, New York. This series presents a selection of 15 films and video works available in three part. Radynski’s film is part of […]

From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]

Carolina Martínez speaks with BAK 2018/2019 Fellow Thiago de Paula Souza about his role as a curator of the 10th Berlin Biennale for Rotunda Magazine. From the article: Last month finished the latest Berlin Biennale, developed under the curatorial concept “We don’t need another hero”, where the concepts of power that we drag from imperialism […]

Patricia Kaersenhout has a solo show, Objects of Love and Desire, at Wilfried Lentz Gallery, Rotterdam from 6 February–24 March 2019. Objects of Love and Desire shows Kaersenhout’s newest banner works showing black women scholars, journalists, poets, and activists of Caribbean decent in action as heroic figures, in the style of historic Chinese propaganda posters. […]

BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, the first reader in BAK’s BASICS series.      Print this page BAK, basis voor actuele kunst, Utrecht and MIT Press, Cambridge, MA and London present Propositions for Non-Fascist Living: Tentative and Urgent, edited by Maria […]

Fellow Urok Shirhan convenes a session with BAK, centering her research on audio forms,”collective listening, acoustic commons, and… what the shift from the eye to the ear could hold for us.” Over two days and a few digital sessions, Fellows heard talks about historic uses of radio, listened to sound pieces alone together, and experimented […]

BAK 2019/2020 Fellow Mijke van der Drift presents her research The Logic of Loss in Bonding in the talk “Realisitcally Impossible: The Magic of Social Change” at the virtual conference Love Spells & Rituals for Another World. As Love Spells explains:  Engaging with queer, feminist and decolonial approaches and drawing on developments in cultural studies […]