Fellows

Luigi Coppola

Evolutionary Populations: Seeds of a World Waiting to Germinate

With the outbreak of civil war in Syria in 2011, agronomist and phyto-geneticist, Salvatore Ceccarelli was forced to end his 25-year research period in Syria where he had been working with local farmers experimenting with a revolutionary agricultural method that develops participatory plant breeding, a type of breeding done in collaboration with farmers to breed diverse seed lines (in particular barley and durum wheat) which enable greater biodiversity and crop adaptation to the environment. As a farming method this participatory plant breeding is able to respond ethically to contemporary agroecological challenges: ensuring food security despite climate-related uncertainties and safeguarding diversity to improve the nutritional characteristics of the crops and giving control of the seeds back to the farmers thus creating strong participatory and commoning dynamics. So as not to risk losing the years of participatory seed cultivation by Syrian farmers, Ceccarelli managed to bring a small quantity of many hundreds of seed varieties to Italy. These seeds were planted in different parts of Italy and within a few years the practice of participatory genetic evolution started to take ground, a practice which challenges the cultural certainties tied to concepts such as monoculture, uniformity, and genetic selection.

As part of the Meteorite in Giardino II (Meteorite in the Garden) program at Fondazione Merz in Turin 07.06–10.07.2018, Luigi Coppola has created an installation which reassembles—according to a design symbolically referring to the complexity of nature—hundreds of grain-bearing ears of barley and wheat which have been planted from seeds cultivated through participatory seed evolution in Salento, Italy together with the Casa delle Agriculture (House of Agricultures), with which Coppola has been working for the past five years on regenerative agricultural practices alongside social, political, and cultural activation of the community.

Meteorite in Giardino II, Fondazione Merz.

more from Luigi Coppola

  • Shela Sheikh: Colonialism, Cultivation, and Nonhuman Witnessing

    As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]

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Roet in het Eten Book Launch

As part of Propositions #2: Assemblism, Quinsy Gario presents his new book Roet in het Eten [Spanner in the Works],an anthology of newspaper columns, opinion articles, blog posts on among other things anti-racism, white supremacy and Dutch media landscape written between 2011–2017 and published mainly on the eponymous online platform Roet in het Eten.  

Reem Shille in Kunstenfestivaldesarts

BAK 2019/2020 Fellow Reem Shilleh collaborates with artist and researcher Samah Hijawi and Radio Al Hara as a part of Kunstenfestivaldesarts, Brussels. They center diaspora, homeland, and other topics in radio and in person conversations.

Practicing Tactical Solidarities: A Roundtable on Mutual Aid, Emergency, and Continuous Care

Streaming online at bakonline.org/prospections and on social media: @BAKUtrecht on Facebook and @BAK basis voor actuele kunst on YouTube With Afrikaanderwijk Cooperative (including BAK 2018/2019 Fellow Jeanne van Heeswijk), Rotterdam; the Basic Activist Kitchen, Utrecht; Brigate Volontarie per l’emergenza, Milan; and Homebaked Anfield, Liverpool Coordinated communitarian responses to this crisis have abounded, with individuals and […]

Civilization at the Crossroad: Co-Curated by Lukáš Likavčan

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

Is Data the New Gas?

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Regarding Curatorial Activism, the Role of History and Archives

As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]

Yara Sharif: Architecture of Resistance

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Charl Landvreugd’s Movt. Nr. 10: Ososma

BAK 2018/2019 Fellow Charl Landvreugd creates a large-scale, solo installation exhibition Movt. Nr. 10: Ososma at CBK Zuidoost, Amsterdam (25/10–13/12/2019). The exhibition is a self-portrait and a critical reflection on cultural hybridity, integral to Landvreugd’s work, research, and current times.

False Heroes Must Be Forgotten: Rotunda Magazine conversation with Thiago de Paula Souza

Carolina Martínez speaks with BAK 2018/2019 Fellow Thiago de Paula Souza about his role as a curator of the 10th Berlin Biennale for Rotunda Magazine. From the article: Last month finished the latest Berlin Biennale, developed under the curatorial concept “We don’t need another hero”, where the concepts of power that we drag from imperialism […]

Announcing the Post-Academic BAK 2020 Fellows

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War and Cinema

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The Emotional Body

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Fellows at Le Guess Who?

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Collective Dictionary: Xenia with Elena Isayev

Elena Isayev is a historian and professor at University of Exeter uses the ancient Mediterranean to explore migration, belonging, displacement and spatial perception. Her research is based on the intersection of Hospitality and Asylum, Potency of Displaced Agency, Common and Public Space. Her interdisciplinary and inter-practice approach has led to collective learning and research beyond the […]

Gathering in these Times: Extension, Intensives, Culmination in September

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First Strand of the Fellows Have a Hybrid Intensive

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Collective Dictionary: Inhabiting

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Ola Hassanain Awarded Paulo Cunha e Silva Art Prize and Shows at Two International Architecture Exhibitions

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Fear, Communciation, and Jung: Faranak Mirjalili, Omar Mismar, and Imogen Stidworthy

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Fellows Intensive Joins Propositions #9: Deserting from the Culture Wars

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Mad About Study, a Training with Joy Mariama Smith

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“Art After Culture: Exile”

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How to Assemble Now (BAK Public Studies)

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Vereniging Ons Suriname: 100 Years of Emancipation and Struggle at the Black Archives

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The Wind Egg

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Jota Mombaça: Visionary Fiction, Activist Writing, and Critical Practices

BAK 2018/2019 Fellows Thiago de Paula Souza and Mick Wilson, along with BAK, co-convene the April 2019 Fellows Intensive focusing on conceptions of violence. Along with screenings, presentations, and discussions curated and conducted by these Fellows, artists, writer, and performer Jota Mombaça joins the Fellows to lead them through collective reading exercises, collaborative writing processes, […]

Cinema Olanda at The Black Archives

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

Lukáš Likavčan Presents Fellowship Research at Sonic Acts

BAK 2018/2019 Fellow Lukáš Likavčan presents his new book Introduction to Comparative Planetology (2019, read an excerpt at Strelka Press here) at Sonic Acts Festival, Amsterdam, 2020. Research and writing for the book was done during Likavčan’s Fellowship.  Listen to his Sonic Acts podcast here and watch his presentation here.

First Fellows Intensive of the BAK 2020 Fellowship Program

In September the Netherlands-based stream of the BAK 2020 Fellows gather at BAK, with social distance, to begin their work together. Through mapping exercises, establishing collective protocols (or something close to it), spending time with the BAK team, and sharing well-ventilated space, a sense of what is to come in the Fellowship has emerged. This […]

Thiago de Paula Souza curates Tony Cokes: To Live As Equals at BAK

BAK 2018/2019 Fellow Thiago de Paula Souza curates Tony Cokes: To Live as Equals at BAK, basis voor actuele kunst (2020–2021).  Tony Cokes: To Live as Equals brings together selected video works from the past 30 years, immersing viewers in the audiovisual language that artist Tony Cokes has developed over his career, which typically blurs aesthetics […]

Fellows in Propositions for Non-Fascist Living: Tentative and Urgent

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May BAK 2018/2019 Fellows Intensive: Models, Timelines, Scale, and Guest Ramon Amaro

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Archival Propositions

BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]

Guess Who’s Coming to Dinner Too?

BAK Fellow Patricia Kaersenhout, artist, activist and womanist, created Guess Who’s Coming to Dinner Too?  a solo exhibition as a social monument, alongside a growing community of collaborators. The opening takes a place at De Appel on 4 October, 2019.

BAK 2019/2020 Fellow Diana McCarty Presents at Propositions #9: Deserting from the Culture Wars

BAK 2019/2020 Fellow Diana McCarty presented a time traveling piece on interconnecting practices related to her Fellowship research trajectory in the panel ” Working in Groups, Acting in Networks.”  Propositions #9: Deserting from the Culture Wars is co-convened with writer and curator Sven Lütticken as a temporary spin-off from Trainings for the Not-Yet and the ninth iteration of […]

Elizabeth Povinelli: Four Axioms of Critical Theory

Elizabeth A. Povinelli gives a seminar on the four axioms of critical theory during the first Fellowship 2017/2018 gathering on 6 October 2017.